Edition of 5: 2009
6 glass booklets with 18 carat gold gilded mirrors (Judith Trezza), archival inkjet text on pulp painted papers; white oak case
8″ x 6″ x 7.25″

Amanuensis Box and Open Book with Mirror
Amanuensis Box and Open Book
Amanuensis Open Book
Amanuensis Spread
Amanuensis Detail
Amanuensis Box
Amanuensis Box and Open Book with MirrorAmanuensis Box and Open BookAmanuensis Open BookAmanuensis SpreadAmanuensis DetailAmanuensis Box

Amanuensis uses the reflection and reduction of the written word, along with the expressiveness of its materials: gold gilded mirror, paper, and silk on glass – to describe the loss of one’s identity. The pages of the books are fragile, glass, housed in an oak case, like a casket. The words are printed in reverse and can only be read in the mirror, made precious by its material. The text loses letters as it repeats within the first 5 booklets.

Here, the signature is considered the written mark of identity and, like our name, defines who we are. An amanuensis is a copyist.
Amanuensis was part of an installation about the signature at Lehman College Gallery (2009).